My research-creation process coincides with the encounter with the ''digital paradigm'' and the attempt to incorporate it into the foundation of my scenic writing. I propose in this paper to give an account from a director point of view of how I realized my shows between 2000 and 2007 and which researches influenced the process. I will formulate some remarks on the fragilities that can arise in a ''technological laboratory of staging''.

翻译：我的研究创造过程与“数字范式”的遭遇和将它纳入我精美写作基础的尝试相吻合。我建议本文从主任的角度阐述2000年至2007年我如何实现我的节目,以及哪些研究对这一过程产生了影响。我将对“技术集成实验室”中可能出现的弱点作一些评论。</s>